Analyses of Nineteenth- and Twentieth-Century Music, 1940-2000 (MLA Index and Bibliography Series) by D. J. Hoek

Author:D. J. Hoek [Hoek, D. J.]
Language: eng
Format: azw3
Publisher: Scarecrow Press
Published: 2007-02-15T05:00:00+00:00

5001. Revers, Peter. “Liquidation als Formprinzip: Die formprägende Bedeutung des Rhythmus für das Adagio der 9. Symphonie von Gustav Mahler.” OMZ 33 (1978): 527–33.

5002. Rothkamm, Jörg. “ ‘Kondukt’ als Grundlage eines Formkonzepts: Eine Charakteranalyse des ersten Satzes der IX. Symphonie Gustav Mahlers.” AM 54, no. 4 (1997): 269–83.

5003. Schenk, Rüdiger. “Zur neunten Symphonie Gustav Mahlers.” M-Stahmer: 165–21.

5004. Spinnler, Burkhard. “Zur Angemessenheit traditioneller Formbegriffe in der Analyse mahlerscher Symphonik: Eine Untersuchung des ersten Satzes der neunten Symphonie.” M-Stahmer: 223–76.

Symphony No. 10

5005. Agawu, V. Kofi. “Tonal Strategy in the First Movement of Mahler’s Tenth Symphony.” NCM 9, no. 3 (1986): 222–33.

5006. Bergquist, Peter. “The First Movement of Mahler’s Tenth Symphony: An Analysis and an Examination of the Sketches.” MFO 5 (1980): 335–94.

5007. Bruns, Steven Michael. “Mahler’s Motivically Expanded Tonality: An Analytical Study of the Adagio of the Tenth Symphony.” Ph.D. diss., University of Wisconsin, Madison, 1989.

5008. Cooke, Deryck. “The Facts Concerning Mahler’s Tenth Symphony.” CD 2, no. 10 (1963): 3–27.

5009. Kaplan, Richard A. “The Interaction of Diatonic Collections in the Adagio of Mahler’s Tenth Symphony.” ITO 6, no. 1 (1981–1982): 29–39.

5010. ———. “Interpreting Surface Harmonic Connections in the Adagio of Mahler’s Tenth Symphony.” ITO 4, no. 2 (1978): 32–44.

5011. Klemm, Eberhardt. “Über ein Spätwerk Gustav Mahlers.” DJM 6 (1961): 19–32.

5012. Ratz, Erwin. “Gustav Mahlers X. Symphonie.” NZM 125 (1964): 307–8.

5013. Reid, Charles. “Mahler’s Tenth.” MR 26 (1965): 318–25.

5014. Rohland, Tyll. “Zum Adagio aus der X. Symphonie von Gustav Mahler.” MB 6 (1973): 605–15.

5015. Zenck, Martin. “Ausdruck und Konstrucktion im Adagio der 10. Sinfonie Gustav Mahlers.” In Beitrage zur musikalischen Hermeneutik, ed. Carl Dahlhaus, 205–22. Regensburg: Bosse, 1975.

Various Works

5016. Banks, Paul. “An Early Symphonic Prelude by Mahler?” NCM 3 (1979–1980): 141–49.

5017. Barford, Philip T. “Mahler: A Thematic Archetype.” MR 21 (1960): 297–316.

5018. Birtel, Wolfgang. “ ‘Eine ideale Darstellung des Quartetts’: Zu Gustav Mahlers Bearbeitung des Streichquartetts d-Moll D. 810 von Schubert.” NZM 149, no. 2 (1988): 13–17.

5019. Cardus, Neville. Gustav Mahler: His Mind and His Music. London: Gollancz, 1965.

5020. Danuser, Hermann. “Versuch über Mahlers Ton.” JSIM (1975): 46–79.

5021. Diether, Jack. “Notes on Some Mahler Juvenalia.” CD 3, no. 1 (1969): 3–100.

5022. Eggebrecht, Hans Heinrich. Die Musik Gustav Mahlers. Munich: Piper, 1982.

5023. Filler, Susan M. “Mahler’s Sketches for a Scherzo in C Minor and a Presto in F Major.” CMS 24 (1984): 69–80.

5024. Grant, Parks. “Bruckner and Mahler: The Fundamental Dissimilarity of Their Styles.” MR 32 (1971): 35–55.

5025. Hansen, Mathias. “Zur Funktion von Volksmusikelementen in Kompositionstechniken Gustav Mahlers.” BM 23 (1981): 31–35.

5026. Hopkins, Robert G. Closure and Mahler’s Music: The Role of Secondary Parameters. Philadelphia: University of Pennsylvania Press, 1990.

5027. James, Burnett. The Music of Gustav Mahler. Rutherford, N.J.: Fairleigh Dickinson University Press, 1985.

5028. Metzger, Heinz-Klaus, and Rainer Riehn, eds. Gustav Mahler. Munich: Text + Kritik, 1989.

5029. Mitchell, Donald. “Gustav Mahler . . . Prospect and Retrospect.” PRMA 87 (1960–1961): 83–97.

5030. ———. Gustav Mahler: The “Wunderhorn” Years: Chronicles and Commentaries. London: Faber, 1975.

5031. ———. Mahler: The Early Years. Rev. and ed. Paul Banks and David Matthews. Berkeley: University of California Press, 1980.

5032. Newlin, Dika. Bruckner, Mahler, Schoenberg.

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